Denis Bowen; an Artist, Patron and Visionary

This article is written by Lauren Slater, Gallery Assistant at Gallery Different and was originally published on LinkedIn on April 1st 2020. Gallery Different is our JV partner in VEDO Corporate Art Consultancy.

In 2012 Gallery Different began to work alongside the Denis Bowen estate, with the then-executor and nephew of the late artist, Nick Bowen. However, upon Nick’s untimely death in 2018, Gallery Different took sole responsibility for the estate and has since, on first-hand experience, borne witness to the artistic genius of a revolutionary post-war British artist. This blog draws upon a number of resources from Bowen’s personal archive, obituaries of the artist, and an interview with a close peer and artist, Derek Culley.

Born in Kimberley, South Africa in 1921, and orphaned at a young age, Denis Bowen’s life was turbulent from the onset. After the loss of his parents, Bowen emigrated to the United Kingdom where he was to live with his aunt, in Huddersfield. In 1936, Bowen enrolled at Huddersfield School of Art. After graduating, Bowen was due to undertake a position at the Royal College of Art. However, with the outbreak of World War II where he served as Chief Naval Radar Operator, his admission was postponed until the war ended.

During his lifetime, Bowen was known for his substantial portfolio of works, curating, directing and his contribution to artistic education. Between the 1940s and 1980s, Bowen undertook various teaching roles both nationally and internationally. These included Kingston Institute of Art, Hammersmith School of Arts, Birmingham School of Art, Central School of Art and Design and the Royal College of Art, and the University of British Columbia in Vancouver. It was during his time in Canada that Bowen discovered a number of Canadian artists such as William J.B. Newcombe.

Regarded as a patron, Bowen founded the New Vision Group in 1951, with other students from the Hammersmith School of Art. The group’s principal aim was to draw in young, unknown and international talent that mainly focused on non-figurative art. In 1956, Denis Bowen would open and co-direct, the New Vision Centre Gallery, with Halima Nalecz, and Frank Avray Wilson. In its ten year period (1956 – 1966), the New Vision Centre Gallery exhibited artists such as Gordon House, Ian Stephenson, and Aubrey Williams. All of whom went on to achieve global recognition. The gallery exhibited an expansive array of artists and artworks from 29 different countries and 220 artists (58% of which came from abroad). Of the exhibitions that took place, 90% were solo shows.

Advocacy for international artists, including those from the British Commonwealth, was nearly unheard of with little to no recognition in the British art scene. There still continued to be much hostility to black and Asian artists. Yet the New Vision Centre Gallery promoted and supported them with the same fervour it held towards British artists. The gallery also hosted the first exhibitions for European groups such as the Italian group Forma-1, and German Group Zero.

Bowen’s patronage status extended to Derek Culley, whom Culley said he had ‘the great fortune’ of meeting in the mid 80’s, when Denis would become his mentor. Culley recalls, ‘He introduced me to the London art world and the art of navigating its peculiarities and complexities. When it came to the contemporary and modern art world, Bowen was a Master Painter with an encyclopaedic knowledge of art and the art world. Bowen taught me a new way to look/ question/ approach and appreciate art; from being both a viewer and practitioner.’

Bowen’s consciousness for inclusivity is demonstrated by his approach to fellow artist Culley. Whilst hosting an exhibition of Contemporary Celtic Region artists during a Celtic festival, Bowen proposed enlarging the model and premise to include all 7 Celtic Regions in Europe. From this Celtic Vision was born, headed by Denis, Derek and Scottish artist John Bellany. The primary aim; to exhibit contemporary visual arts from these regions – politics aside.

Bowen’s encounters and established friendships with fellow artists allowed him to become a vehement collector of art. His collection comprised of works by highly regarded artists such as Sir Terry Frost, Alan Davie, Albert Irvin, Victor Pasmore, Alan Reynolds and William Gear. Bowen’s collection stayed true to the international ethos of the New Vision Centre Gallery in which his collection expanded internationally to include works by Aubrey Williams, Arpana Caur, F.N. Souza, and Zao Wou-Ki, to name a few. The array of works, some of which are oils, etchings and prints, will be exhibited in a variety of upcoming exhibitions at Gallery Different, to again pay homage to the work and dedication of national and international post-war abstract artists. These works will also be available to private collectors as the gallery moves forward with the Bowen Archive.

Whilst continuing to play a pivotal part in art education, Bowen was challenging and shaping post-war artistic trends. Bowen’s style was continually evolving throughout his practice. From the 1950s to mid 60s, Bowen was one of the first artists in Britain to experiment with Tachism. During this time, each painting would be started and completed within one sitting to maintain the importance of the physical process behind painting, suggesting that to return to a painting was to destroy its integrity. Post Tachism, Bowen’s painterly style was dominated by psychedelia from 1969-1980, and later ended with a relentless obsession with space discovery and the unattainable.

Denis Bowen, Magma 2 (1988)
Oil on Canvas 217 x 183 cm
(c) Gallery Different

The most enthralling aspect of Bowen’s work was his capacity to lure the audience with stark contrasts of technique and colour. In many works, Bowen employs simple materials and found objects, including door panels and kitchen cupboards. These created a juxtaposition between the aesthetically enticing and incomprehensible planetary landscapes he would depict, and the preloved furniture of his own home and studio. Bowen’s chosen subjects including erupting lava and planetary landscapes, are something we can only imagine yet their depiction is so expressive we almost feel we are within the painting. This is demonstrated by Bowen’s Magma (2) (1988). Despite being fastened onto a stretcher, the work is without a frame, giving it a sense of limitlessness. The vibrant indigo hue, mixed with splashes of electric blue are immediately enticing. Yet the layering of the metallic, and sporadic gold draw you in further, heightening the sense of something magical and unworldly. In contrast, the deep black at the bottom seems dark and sinister, rendering the subject of the work somewhat incomprehensible. Although Bowen worked the paintbrush and canvas, he ultimately left the paint to fuse into the background and other lines, allowing for a seemingly free and unrestricted result. This spontaneity remained at the forefront of Bowen’s work and life, and is one of the paramount reasons why his work continues to be regarded very highly, with institutions such as The Tate holding his work within their collection.

Like the advent of space technology, Bowen’s paintings of space make it more accessible and conceivable to the human imagination. The beauty of each individual canvas allows the viewer to feel deep and intense emotions, and as Vince Rea stated the ‘paintings give the audience new and emotive experiences of colour and atmospheres indicative of observable changes in space from vast distances of eerie atmospheric stillnesses to lavaic eruptions of energy and matter.’ His complex choice of colours, which often have subtle alterations depending on their lighting, are demonstrable of the ever-changing landscapes of outer space and the continuous fascination one can find with it.  

At the heart of everything Denis Bowen stood for, was the influence from which the title of the New Vision Centre Gallery derived. Gyorgy Kepes’ Language of Vision (Chicago, 1944) drew upon the universality and power of visual language and the necessity for new imagery that reflected recent technological and physical developments. Ultimately, this ethos ran through the practice of the gallery where it beckoned artists from across the globe who were producing art that was in tune with the vast societal, economical and political changes that were happening post-war. People were again eager to reflect the severity of World War II and work towards reconstructing society. In this way, the coming together of multi-racial groups in London saw it become the cultural hub for social change, arguably headed by Denis Bowen, and the New Vision Group.

Denis Bowen, Volcano and Electric Blue Circle, (1988)
Oil and spray paint on canvas, 123 x 107 cm
(c) Gallery Different

Denis Bowen’s visionary status is one that cannot be forgotten. Even whilst he was faced with the unpopular opinions regarding his works, Bowen continued to produce works that were rebellious, risqué and independent. Derek Culley remembers, ‘Not one for “Art Bollox” Denis knew his art/its history, and his contemporaries.’ His relentless dedication to stay true to his practice ultimately deemed him the ‘unflagging champion on non-figurative art’. As The Guardian drew upon, British art continues to underplay the 50s and 60s abstraction, and the contribution of the New Vision Centre Gallery (most importantly Denis Bowen) in shaping the modern art movement, and enabling significant trends and greater freedoms. Bowen was wholeheartedly devoted to his work and teaching, and his unique role in the history of modern/contemporary art must be remembered with great admiration. Well remembered and regarded, Culley said ‘Denis was a man for all seasons’, being one of many to bear testimony to the great importance and amiability of Denis Bowen.

Gallery Different will be hosting a variety of exhibitions of Denis Bowen’s collection, along with a large-scale retrospective of Denis Bowen’s work in 2021. VEDO will be posting further information about this extraordinary artist and the Gallery’s events for this artist. If you are interested in any of the above information, including buying Bowen paintings and would like further information please contact us.

VEDO presents magnificent sculptures at Henley Festival – July 2017

VEDO is very proud to be participating in Henley’s Art and Music Festival this week by showcasing 8 leading sculptors at the Festival from Wednesday 5th July until Sunday 9th July.

We have selected a few exceptional British and International sculptors to represent and have endeavoured to show the wide range of styles and scale you can have in sculpture from small indoor works to the monumental, from abstract to figurative, also providing educational information about various pricing, different mediums of sculptural works and the commissioning process.

About the Sculptors

We are showing a stunning kinetic work by Ivan Black, whose piece has been specifically designed for the festival. Ivan’s work is wondrous, his conception of movement is fascinating and sophisticated incorporation of lighting and colour is nothing short of joyous and magical. This is a sculptor who rightfully deserves his work to sit alongside the great kinetic sculptors found in the museums of the world.

(c) Sculptor Ivan Black

Simon Gudgeon has achieved recognition for his monumental works, such as his stunning giant bronze Swan at the Serpentine close to Princess Diana’s fountain memorial and his reflective bronze heads entitled ‘Search for Enlightenment’ displayed nearby in Knightsbridge. To see his beautiful smooth and paired down depictions from nature one should visit his elegant sculpture park in Dorset where he displays a range of his large scale sculptural works in a breathtaking setting.

(c) Sculptor Simon Gudgeon

Sally Fawkes and Richard Jackson are exceptional British glass sculptors. They have been represented by the best of British art dealers and similarly their works have found themselves into major collectors homes internationally. Having mastered their unique technique over decades they remain leaders in using the glass medium. Excitingly they have taken their works to monumental scale over the last few years and have produced magnificent pieces, such as their most recent commission of a monumental work shown at Salisbury Cathedral and a stunning commissioned work for the Shard.

(c) Sculptors Sally Fawkes and Richard Jackson

Mel Fraser’s beautiful abstract alabaster works are perfect for any elegant garden setting or luxurious home. She is represented by a gallerist and has become a recognised name for the interior design sector for her elegant abstract works that compliment a wide variety of settings. There is a stunning purity to her forms that provide endless joy and contemplation and her skill is apparent from her ability to work large pieces of stone or alabaster into paper like winged forms that are sometimes worked so finely that they become almost translucent.

(c) Sculptor Mel Fraser

For smaller scale interior works we are showing pieces by Philip Hearsey. Philip’s works are timeless and elegant and hark back to the best forms in ancient times, in particular ancient Egypt or Cycladic times. From beautiful arcs or circles or baton like shapes, his sophisticated use of form creates a strong sense of order and his works have a reassuringly calm and restful feel to them. Hearsey works in a variety of mediums and also adds a stunning creative touch that is highly distinctive, usually playing with the patina of the bronze to create an other-worldly feel.

(c) Sculptor Philip Hearsey

 

Johannes von Stumm has produced a range of stunning corporate commissions and public works from his winged angel for Nike to his Big Mother and Child stainless steel series that cuts the landscape like a knife leaving you to contemplate the essence of human nature set within the landscape. We are showing his very clever smaller geometric works that are a sophisticated combination of media often glass, bronze and stone. These works are highly distinctive works and are extremely contemporary in feel and work exceedingly well in corporate and luxury spaces.

(c) Sculptor Johannes von Stumm

Last but by no means least, a star of the event is Paul Day. He is representing himself at the Festival but we have the great pleasure of hosting his works on our stand and supporting this huge talent.
He needs no introduction having done several famous Royal monuments, from the Queen Mother’s memorial, Battle of Britain to the Iraq and Afghanistan war memorial.

His highly detailed figurative work is hugely accessible, fiendishly clever and demonstrates his extraordinary skill in rendering such great detail that translates so lucidly and perfectly in bronze form. His work demands attention and for that reason his works will stand the test of time in monumental form. We are pleased to announce that at the fair guests can see a range of works, demonstrating that his work is affordable and achievable for many collectors too.

(c) Sculptor Paul Day

VEDO see this event as a truly wonderful opportunity for us to show some larger monumental works in a stunning setting and also showcase some smaller indoor works that would look wonderful in any home. Our goal is to bring to great many people beautiful and accessible sculpture.

Sculpture is often an overlooked medium in preference to 2D forms such as painting, photography and prints. It is perceived to be expensive and difficult to place. We feel that sculpture can add tremendous value and make a wonderful statement in a wide range of environments from the home, the office or to a public space.

Commissioning bespoke sculptures for public works or for corporate spaces is our forte at VEDO and we understand that it can be an extremely challenging and complex project to manage. However our skilled art advisers take the stress out of the process, make it highly enjoyable and help clients achieve their creative vision by working effectively with the sculptors, designers and clients.

For more details about how we can help your company in such a project please do visit our website www.vedocorporateart.com and contact us through the contact page.

For a copy of our new sculpture brochure to see the different sculptors we represent and the types of work we can help commission for your clients or your projects please contact us.

Ceramic artist spotlight: Desa Philippi’s biomorphic wall sculptures

VEDO Corporate Art Service is delighted to present some captivating new sculptural work by ceramic artist Desa Philippi.

Desa’s wall sculptures are beautiful fluid porcelain shapes with a strong graphic element.

(c) Red porcelain wall sculpture by artist Desa Philippi

She has developed a range of abstract, biomorphic shapes, which are layered in open and closed forms and can be combined in different dimensions. They are therefore uniquely adaptable to different spaces.

(c) Vertical midnight blue porcelain wall sculpture by artist Desa Philippi

She uses bold primary colours that heightens the graphic element and gives a strong contemporary art feel, as well as being very joyous artworks.

(c) Yellow porcelain wall sculprure & alphabet ceramic vessels by artist Desa Philippi 

We think of graffiti art when we look at these wonderful shapes, as well as comic strips and the great American pop artists of the 1960s, such as Roy Lichenstein.

In her own words Desa’s says she is

..“influenced by modernist sculpture and the urban environment within which the work is produced, I spent a lot of time looking at and photographing the reflections of buildings, graffiti walls, cranes and other urban structures on the nearby Regents Canal, observing changes of the water’s surface when disturbed by wind, moving canal boats, water birds, or floating debris. This direct observation helped me to rethink the continuous forms of my porcelain vessels in terms of open and animated surfaces.”

Desa is currently showing some of her stunning flat matt grey ceramic vessels at Gallery DIFFERENT in London in an exhibition called ‘The Art and Politics of Eating’. To read about this exhibition click here.

(c) Alphabet Vessels by artist Desa Philippi

Desa works from her studio in Camden in London. Her background as an art historian is eminently clear from the strong sense of design and aesthetics that permeates her work as an artist.

Her ceramics are effortlessly chic and would look great in any contemporary designed living space, bringing in a sophisticated design element.

To see more please do not hesitate to contact us at Jessica@vedocorporateart.com

The Art and Politics of Eating – an art exhibition & event that celebrates food

VEDO Corporate Art Service is proud to support Gallery DIFFERENT’S forthcoming exhibition: ‘The Art and Politics of Eating’.

(c) Artist Zev Robinson

Zev Robinson, a Canadian and British artist and film-maker is showcasing his large beautiful dream-like pastel paintings at the Gallery, 14 Percy Street, London W1 this week.

Zev an experienced artist has coordinated this exhibition of his pastels with the release of his film ‘The Art of Politics of Eating’ – Pied à Terre documentary, shown this evening at the Gallery.

His film examines the restaurant’s passionate interest in supporting the sustainable food system and how their relationship with their forty suppliers makes an important contribution to the small independent British food sector.

There will also be a moderated discussion about quality food producers and the role of quality restaurants in sustaining those producers and the rural environment.

From the Corporate Art perspective, Pied à Terre restaurant is well known and highly regarded as an amazing champion of the arts.

Apart from hanging artworks by emerging and established artists in this elegant and very fashionable restaurant and allowing an important showcasing venue for artists to be enjoyed by their clientele, they are true patrons of the arts and this echoes through a film like this, made by a visual artist who has turned the spotlight on their core passion, supporting sustainable food systems and making sure the best of British food is served in their restaurant.

Zev’s work is elegant, accessible and blends the boundaries between art and food and the point at which these two creative endeavours meet.

(c) Artist Zev Robinson

The pastel medium creates a haze to the subject-matter that feels dream-like and surreal and with his closely studied blue camphor jugs and succulent Queen olives in terracotta dishes you are instantly transported to the Mediterranean.

To see the film, the screening is tonight 6th June 2017, please book tickets through the Gallery.

To read a further review about Zev’s work please see the Artlyst article here.

VEDO Ceramicists at Gallery Different

VEDO Corporate Art looks for the best independent artists for the commercial sectors, such as interior design and hotel design.

Also showing this week at Gallery DIFFERENT, 14 Percy Street, W1, VEDO is very proud to announce that two exceptional ceramicists are showing their works too.

French ceramic artist Isabelle Poupinel will be showcasing three of her stunning works, all quite different and show the unique range of styles in her repertoire.

From her stunning North African inspired earthen dish, with a beautiful turquoise glaze, perfect as a central piece for a kitchen table or dining al fresco and serving delicious nibbles, such as pistachio nuts, to her beautiful woven looking ceramic basket – an object that is both minimalist and in our view seems to echo great tribal art, namely Tutsi or Hutu woven baskets.

(c) Artist Isabelle Poupinel

Lastly Isabelle is showing a chic pinched white porcelain vase with a gold tie that would look elegant in any luxurious room and reminds us of the great finesse you find in gorgeous homes in the South of France.

German born Desa Philippi, who works from her studio in Camden in London, will be showing her impressive and elegant pots. Her vessels look fabulous in a group and make an effortless and chic artistic display.

These works are artistic too and are for display rather than use. Desa produces clean lines and her works have an extremely pleasing symmetry, often combined with interesting decoration such as her sophisticated on-glaze patterns that use steel or tungsten to create fine lines. In Desa’s work there are gorgeous industrial matt grey or sensitive cream tones or a flat pure white that demands attention and echoes Bauhaus and great design.

(c) Artist Desa Philippi

Desa, like Isabelle, has a diverse repertoire but is consistently elegant in her style and approach and works by either of these artists would look fabulous in any home.

For more details about these three artists please contact VEDO.

The exhibition is on until Wednesday 14th June 2017, Gallery Different 14 Percy Street, London W1.

Why don’t you take in the view?

We are very proud to announce that 6 Artists working with VEDO Corporate Art Service are showing stunning new artworks in the exhibition ‘Taking in the View’ at Gallery Different, 14 Percy Street, London W1, on until the 8th April 2017.

Come and see the fascinating array of artworks inspired by the landscape genre from artists Nigel Bird, Mick Dean, Jacques Godard, Christopher Hauser, Pandora Mond and Richard Wincer.

There are 14 different Artists showing works in this wonderful landscape exhibition and what you will see is a wonderfully diverse approach to the landscape genre.

From nostalgic views of London’s lost urban dockside rendered in Oil by artist Mick Dean,

(c) Artist Mick Dean

to stunning shots of Antarctica’s majestic mountains and icebergs by Munich based photographer Christopher Hauser,

(c) Photographer Christopher Hauser

to dramatic textured seascapes in oil by Pandora Mond,

(c) Artist Pandora Mond

to delicate drawings of natural formations in ink by Nigel Bird,

(c) Artist Nigel Bird

to serene water inspired abstracts by Richard Wincer

(c) Artist Richard Wincer

and apocalyptic crashing waves by French photographer Jacques Godard.

(c) Photographer Jacques Godard

Each year we showcase artworks by artists who are working with us at exhibitions and events to bring to the commercial sector talented emerging artists and artworks with artistic merit and integrity.

All of the artists working with VEDO in this show work independently and their work is eminently suitable for the Corporate, Property and Design sectors.

What we look for from the artists we select for promotion and for projects and is applicable to the Artists in the current show is as follows:

• All of the artists are very experienced and are accomplished
• have mastered their technique and have a distinctive style;
• have a good exhibition history and their talent is noted by prizes, gallerists and peer-review;
• are commercially successful and stand up in an art fair or art gallery environment;
• sell commercially desirable work, so resale is an option and the artworks have commercial integrity;
• are gaining increasing international recognition;
• have a growing number of collectors buying their works;
• can work on a large scale if needed;
• produce high quality bespoke commission work;
• have a very good quality finish to their work.

About VEDO:
At VEDO we provide artworks that match the brand and vision of the company looking to acquire the art to ensure that projects hit the highest note.

Whether you are a Company looking to decorate your office or whether you are a property company looking to sell luxury properties, or an architect or interior designer looking for artworks to compliment your designs, we work hard to ensure the artworks we source or the bespoke commissions we arrange accord with the aesthetic brief and compliments the overall design and intrinsic brand message the Company wishes to convey.

We work with artists and support artists and understand fully the demands of producing saleable artwork and good quality bespoke commission work in a highly competitive market-place.

Our art consultancy service (value of over £5,000) is free for any purchases made above £20,000. For more details about our services see here: http://www.vedocorporateart.com/our-services/

We have a very wide resource pool over 100 different artists, work with leading galleries and our highly experienced art consultants are specialists in different art fields and therefore we are able to source and provide exceptional works across a wide spectrum of the arts and also culturally specific art.

Special Events we are hosting:

If you work for a Corporate and are looking to build an art collection or dress your offices or a Property developer and are looking to use beautiful art to dress your properties to boost sales then please do register for our Corporate Art evening event 6pm-8pm on 22nd March at Gallery Different, 14 Percy Street, London W1. Please register here.

If you are an architect or interior designer and would like to join us at our Open House Day from 10.00am until 4pm on 22nd March 2017 in which we will look at how art can be used to raise your business profile and also how we can source art and artists that are relevant to your projects and house style. Please register your place here.

The exhibition is on until 8th April 2017, anyone who wishes to have a private tour or to discuss the purchasing of works or bespoke commissioning of works please do not hesitate to contact us.

For more details contact us at Jessica@vedocorporateart.com.

Photographer Showcasing – Jacques Godard’s work in ‘Taking in the View’ Exhibition

(c) Artist Jacques Godard

Jacques Godard is a prolific photographer whose works include a variety of subjects, including natural still lives, nudes and studies of bull fighting. He has exhibited at many galleries and institutions globally.

VEDO Corporate Art Service is proud to be showing a stunning work entitled ‘Genesis’ in the forthcoming landscape exhibition ‘Taking in the View’ that runs at the gallery from 10th March until 8th April 2017.

Quite often, Godard creates pieces in large format which helps make these photographic works very engaging. Some of our favourite of Godard’s works are part of the enigmatic series entitled Genesis.

In this series, Godard uses a specific photographic process known as pixoplasty to generate the very recognisable look this body of works possesses. These pieces are highly creative with a real painterly quality, muted palette and natural subject matter.

Describing the process, Godard asserts that “The original photographic image serves as a matrix for a study of its evocations. The scanned image is unstructured: its original constituents, pixels, provide me a material as malleable as clay.”

In his Genesis series, Godard captures images of the natural world from La Plaine des Maures, in Var-France, from which he generates both coloured and black and white prints. Both sets focus on the themes of the creation of nature and apocalypse. These themes are really emphasised by Godard’s painterly effect.

For Godard, the coloured works are more akin to creation of new worlds and the black and white more relevant to the theme of apocalypse. Equally, both groups within this series are quite serene and show a world that seems to be separate from any human intervention or interference.

Godard works in other methods and has both historically and more recently experimented with the process of gum bichromate. The effects are quite different from the delicacy he achieves using the pixoplasty method, but they are equally as engaging.

He reports, “During 1982, through the works of Edward Steichen, I discovered the existence of the printing process with “gum bichromate”. I felt that it can give me the opportunity to obtain the images I was looking for.”

Godard employed this technique to capture images of the natural world, exotic plant life and sand dunes. His works depicting the dunes are totally captivating and show an almost alien environment. The layers of sand and details of small plants show an environment that is at once recognisable but also quite distinct. The subject matter and close frame compositions work very well with the image’s use of black and white.

Godard’s works are highly collectible and are found in museum collections. His works have featured in several noted exhibitions across France and most recently in Nice.

Godard was recently invited to participate in a prestigious exhibition celebrating the 70 years of the Mediterranean Union for Modern Art, founded in 1946 under the presidency of Henri Matisse and Pierre Bonnard, in a large group exhibition in Menton (France) at the Palais de L’europe.

He is currently showing work in “Vision Future”, an exhibition organized by UMAM (Mediterranean Union for Modern Art) and city of Menton. Held in the centre of Nice in a large renowned specialised ophthalmological complex, Godard is showing works with 3 other artists, who have been selected through a competition organised by the City of Menton. It is running until 31 March 2017 in Nice.

Godard’s photographs are very unique in style, are elegant and evocative. Often focusing on the land or natural subjects, they would fit in a variety of settings, from luxury properties to Corporate office spaces.

If you would like to see artworks by this artist, please contact VEDO or attend Gallery Different, 14 Percy Street where pieces from both the Genesis series and others using the gum bichromate technique can be viewed.